English Lit A Level

Exam Technique: Component 2, Section B

Master the 60-minute comparative essay

Time

60 minutes

after Section A

Marks

60 marks total

Format

Choice of 2 questions

Type

Closed-book

Fully comparative

AOs

AO1: 5% | AO2: 7.5%

AO3: 7.5% | AO4: 5%

AO5: 5%

Memorizing Quotations

Minimum

16-20

8-10 per play

Ideal

24-30

12-15 per play

Organize by theme so you can deploy them flexibly across different question types.

Memorization Techniques

Flashcards

Quote on one side, analysis on other

Thematic grouping

Organize by themes (violence, sexuality, class, etc.)

Speak aloud

Say quotes while walking/exercising — muscle memory helps

Write from memory

Test yourself weekly — write all quotes without looking

Little and often

15 minutes daily beats 2-hour weekly cramming

What to Memorize

  • Short, punchy quotes (easier to recall accurately)
  • Distinctive language with imagery/metaphors
  • Mix of speakers (not just protagonists)
  • Include key stage directions (e.g., "The 'Varsouviana' is filtered into weird distortion")

Practice paraphrasing: If you forget exact wording, approximate and acknowledge it: "The Duchess asserts something like 'I am still Duchess of Malfi'..."

Understanding Question Types

Type 1: Thematic

"Compare how Webster and Williams present violence in both plays."

Approach: Identify theme, find examples from both plays, compare treatment

Type 2: Character-focused

"Compare the presentation of male power in both plays."

Approach: Analyze Ferdinand/Cardinal/Bosola vs. Stanley/Mitch — how masculinity/authority is dramatized

Type 3: Statement to evaluate

"'Both plays ultimately show that love cannot survive in corrupt worlds.' Discuss this view."

Approach: Agree/disagree/qualify the statement with evidence

Type 4: Dramatic techniques

"Compare how Webster and Williams use staging and theatrical devices to create meaning."

Approach: AO2-heavy — analyze verse/prose, stage directions, lighting, sound, structure

Type 5: Open/conceptual

"Explore the significance of endings in both plays."

Approach: Broader — allows you to shape argument more freely

Key principle: ALL questions require comparison (AO4) \u2014 never write about one play then the other separately.

Planning Practice

Spend 5-7 minutes planning:

1

Identify key words

Circle/underline: "Compare," the theme/concept, any specific instructions

2

Brainstorm comparative points

What are 3-4 main similarities AND differences?

3

Select quotations

Which quotes support each point? (2-3 per play per paragraph)

4

Structure outline

Introduction (thesis), 3-4 body paragraphs, Conclusion (synthesis)

Example Plan

Question: "Compare how Webster and Williams present female agency."

Intro thesis

Both show women asserting agency leading to violent male response, BUT Duchess maintains dignity while Blanche is pathologized \u2014 reflects martyrdom vs. medicalization shift

Para 1: Linguistic/sexual agency

Duchess: "flesh and blood," wooing scene — active, joyful

Blanche: "I don't want realism" — defensive, reactive

Compare: Duchess has actual power; Blanche performative only

Para 2: Limits of agency \u2014 surveillance

Duchess: Bosola spies, pregnancy discovered

Blanche: Stanley investigates, past exposed

Compare: Male surveillance destroys female secrets

Para 3: Agency in face of destruction

Duchess: "I am Duchess of Malfi still," choreographs death

Blanche: "kindness of strangers," passive/delusional

Compare: One maintains identity; one loses it

Conclusion

Agency impossible under patriarchy in both, but Webster allows tragic dignity; Williams shows modern erasure

Ready to put this into practice?

Test your skills with practice questions or revise key quotations.